short blog postings on various subjects at force of circumstance
see also https://bristol.academia.edu/DominicLash
see also https://bristol.academia.edu/DominicLash
forthcoming October 2024
by Bloomsbury Academic
Gilles Deleuze and Film Criticism: Philosophy, Theory, and the Individual Film
co-edited with Hoi Lun Law
published August 2023
by Palgrave Macmillan
published February 2022
by Bloomsbury Academic
published September 2020
by Edinburgh University Press
"Druids Fielding Questions: Eva-Maria Houben,
Emily Dickinson and Charles Ives",
edited by Will Montgomery (Royal Holloway)
and Stephen Benson (UEA)
(Edinburgh University Press, May 2018)
"Distance Listening: Musical Anachronism in Stanley Kubrick's Barry Lyndon", Cinergie – Il cinema e le altre arti 12 (2017), pp. 83-93
"Film as Film in the twenty-first century: the function and evaluation of diegesis and disruption", Screen 58: 2 (2017), pp. 163-179
"after #[unassigned]: an interview with James Saunders", Tempo 70: 276 (2016), pp.5-21
"Intransigent play: detail, form and interpretation in the music of Derek Bailey", in Sam Ladkin, Robin McKay and Emile Bojesen, eds., Against Value in the Arts and Education (Rowman & Littlefield International, May 2016)
"The Loneliness of the Nearly Inaudible Bass Player: A Performer's Reflections" at Music and Literature (March 2016)
notes on my composition for four inWolf Notes #8 (May 2015)
"Memorable" in Surround, issue 3 (February 2015)
"The Colour of Music" in Jürg Frey: Werkbetrachtungen – Reflexionen – Gespräche
Reihe Wandelweiser Band 3 (2013)
Wolf Notes #3 (February 2012)
Perspectives of New Music Vol. 49, No. 1 (Winter 2011)
Every Day is A Good Day, John Cage exhibition, Baltic Centre for Contemporary Art
guest review at The Watchful Ear (24th July 2010)
Incidental Music at Cafe Oto
guest review at The Watchful Ear (25th April 2010)
PhD thesis on the work of JH Prynne, Derek Bailey and Helmut Lachenmann
Brunel University, 2010
Derek Bailey and the linguistic metaphor (2006)
[the interview with poet Peter Riley I conducted as research for this piece is also online.]
[the interview with poet Peter Riley I conducted as research for this piece is also online.]
brief thoughts on Cecil Taylor's dialectical detail (2005)
Improvisation: Before, During and After
thesis written as part of MA Composition, Oxford Brookes University (2003); delivered as a paper on 22nd October 2004 at SOAS, London, as part of the study day Improvisation in Musical Performance